(My apologies for the unready send of this a few minutes earlier – WordPress went mad! read this one and delete the other! Thank you, Kate.)

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Last week I wrote about two of the Personal Magic activities with which I have been involved. Maybe it is the coming of Spring here in the Northern Hemisphere but it seems to be bursting out all over (to badly paraphrase an old line!)

The next three stories that I will share with you also relate to live theatre in some way. As I write in the book:

‘There is an old adage, ‘There are no small roles, only small actors.’ Likewise, there are no small people, only the small self. By embracing your Personal Magic and bringing that to the world, you can be the hero at the center of your story.’

Perhaps that analogy works so well because indeed we are all players on our personal stage and, through our ‘performance’ have the capacity to reach and touch others. The challenge is how to be empowered when so much of the time it seems that we are dependent on the actions of others. I hope the next three short stories will exemplify how your Personal Magic can shine even when you are not running the show.

Fred & Mary Auditions:

In July 2012 as part f the AZ Centennial Celebrations, a world premier play by Micki Shelton will open at the historic Elks Opera House stage in Prescott, AZ. I am the honored and terrified director! The script for Fred and Mary: An Unconventional Romance is in hand, a start on raising the money needed has been made, and so we finally stepped right to the heart of it – finding the actors the show needs! Last Saturday we held the first round of auditions. (A second opportunity will take place on the 17th in the Phoenix area.)

There is not much that is more courageous than auditioning. Think about it. You come in with only your body, voice, and your brain and say, ‘Here I am. Will I work for your needs?’ There is not much more that relies to such a great degree on you displaying your shining, inner self more necessarily than auditioning.

Somehow, through the prepared piece (someone else’s words), the scenes you are given to read (someone else’s words), you have not only bring to life a different character but do so with all of your power and strength and, yes, joy. When you can love what you are doing even when you are scared to pieces that power will show. Your Personal Magic is essential to being able to give yourself to the work at hand, creating a character in which the audience can believe.

Ultimately you are offering the gift of yourself without attachment to outcome and with delight in what you bring. You become the hero at the center of the story.

The Artist’s Path:

The following Monday I met with a small group of talented, creative and hard working people for the first rehearsal of the April 2012 Artist’s Path production, ‘Love Make The World Go Round’. I was there as an actress, holding 2 monologues in my hands written by people I didn’t know, which I will inhabit over 6 performances in April.

Under the leadership of Gail Mangham, visionary and stalwart Artistic Director of the company, and with actors – some of whom I had worked with and others I met for the first time that evening – we began the process of creating a show. There is something very exciting about the first time you hear words out loud in a group. Something that says, ‘The Creation begins!’ Something that also says, ‘And you had better do it justice!’

The mix of doubt and hope, fear and delight that the actor has to accept, offers an opportunity to truly embrace Personal Magic. Placing yourself firmly at the center of creation, owning the responsibility, and then giving it away, you are empowered.  In the service of another you are enlarged and empowered.

Students:

Throughout all of this runs the ongoing thread of the Students with whom I meet twice a week. The daily courage it takes to be an engaged, open, responsible student, should not be understated. That each student is a unique individual, with a personal story, challenges, passions and dreams, brings to the group a myriad plethora of Personal Magic! They require that I keep owning my magic, that I raise my bar and keep expanding my capacities.

We are each, the students and myself, at the heart of our individual unique stories, and those story-circles intersect and inform each of the other personal circles of magic.

And perhaps that is the true magic of Personal Magic. As it grows you so it also has the possibility to inspire others to engage and express their Personal Magic. The dancers in the art gallery, veterans embracing the theatre, auditioners offering their gifts to me in a cold hall, the group of fellow actors with scripts in hand for the first time, and the students balancing their lives with the demands of the course work, all bring their magic to me in ways that inspire me to my Personal Magic.

As I write in the book;

“… share the story, creation, gift with someone, somehow. The sharing increases its power, magnifying the magic from its beginnings as your Personal Magic into the power of a gift to others. Personal Magic is just that, something which journeys out into the world beyond self.’

In what ways do you take your Personal Magic into the world?

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